This off-the-wall different movie is one of my favorites. Certainly the plot of it is somewhat illogical, but when you are dealing with zombies, what’s really logical about any of it? I like this film because it’s one of the only ‘walking dead’ movies and tv shows that’s about hope. Most of the time, it’s always about accepting that the world has, in essence, ended. The inner monologue of R, the zombie main character, is really what makes the film. It has a good feel to it and a great soundtrack.
The movie is about R, a zombie who has an interesting way of looking at the world. That is, he can think at all. When he meets a young living woman he feels something shifting inside of him. Together, they try to figure out once and for all what zombies really are.
I have to say, this is one of those films that most critics agree was pretty well done. It played off the incredulity of it with a subtle underlying light-hearted humor that really gave the entire feel of the movie. It didn’t overstate the importance of the moral, but didn’t downplay it either. The characters were interesting and enjoyable. The movie was to the point and didn’t go off on any side plots. Definitely suggest this one to anyone.
So, I used to love this movie when I was a teenager. It’s double the romance, double the story and its Christmas; what could be better? Watching it now, it’s dropped down a few pegs on my awesome scale. The story is a bit corny and the dialogue a little too scripted. It also doesn’t completely match the characters to the actors. With that being said, it’s a cute movie. It has great actors and actresses (Jack Black, Jude Law, Kate Winslet, Cameron Diaz) and the story, itself, is fun and interesting.
Iris is a journalist who has spent the last three years in an one-sided relationship; Amanda is a L.A. movie big wig who’s boyfriend just cheated on her. The two women discover one another on a sort of AirBnB site and decide to switch homes. Iris travels to the states and Amanda travels to England near Surrey. The two aim to get away from their pain and men, but instead discover new beginnings that may lead them to a spark of new love.
It sounds like a Hallmark movie, but it’s very well done. The movie has a lot of side plots and character development that really helps it stand out. It’s helpful when you have an all-star cast that can make any role seem amazing. The two stories of Iris and Amanda also really help keep the story interesting.
So, this movie was pretty fantastic. It was interesting, different and had a completely new tone; at least for me, maybe this is normal of French films. I didn’t realize when I chose it that it was French; that was just a nice surprise. The brief summary I read looked interesting, so I thought I would give it a try. It had scintillating characters that had such depth and range with a story that allowed them to intertwine in this fun plot. It was funny and creative; the actors were fantastic. I probably only had a couple parts that seemed a bit in the extreme, but besides that it was an enjoyable watch.
The movie is about a woman, a pianist, who has moved into an apartment to finally start spreading her wings as a performer. She discovers though that she’s not alone. A man who lives in the apartment next to her (a solitary creator of intricate puzzles) can hear everything she does and visa versa. The woman needs her music and he needs quiet. Can there possibly be a truce between two very different spectrums of artists?
I saw briefly that the movie was thought to be predictable, but I must disagree. There’s something to be said for a story that forms into a happy ending. Too many American movies go out of their way to create “shocking” twists and turns that in and of themselves end up annoyingly disjointed and, after seeing it a few times, predictable. It’s refreshing to see a movie that focuses more on the characters and less on the shock and awe factor.
Alright, so, this movie was pretty good. I’ve never been into the sort of ‘romcom’ ‘life’ genre; it’s too mushy, but this was not bad. The dialogue was smart, the characters were interesting and fun, and the plot stayed steady throughout the course of the movie. Except the end, that felt a little rushed.
The movie is about a retired gentleman who, like any person who has lived his life working, suddenly can’t find anything to do with his free time. He goes back to work as an intern at a new internet shopping company where he meets the always-on-the-go spitfire CEO. At first, it seems as if the old and the new may clash, but perhaps some genteel logic mixed in with the energy of youth can create a wonderful combination.
With Robert de Niro and Anne Hathaway leading the charge in this movie it’s not surprising that this movie was good. Both actors are known for their serious and comedic roles as well as their diversity. The plot, like I stated before, was good, but also fairly obvious. Sometimes, though, it’s not always a bad thing. Movies like these are less and less common these days; seeing characters blooming in different times of their lives, how they affect each other, it’s really enjoyable.
What a WOW movie! This movie has some of my favorite qualities that I love in film: a realistic romance, on-point humor, a ridiculously handsome lead, good acting and a fantasy quality. It maybe had a couple awkward dialogue moments, but isn’t that how it is in life, sometimes? We say things that are off-point or completely inappropriate when we have a slip of the tongue. Honestly, this movie was really well done.
Spellbound is about Yeo Ri, a young woman, who has been living a solitary life away from everyone. One day she meets a young magician who hires her to help with a new act: one about ghosts. Unfortunately for Yeo Ri it’s no act. She is haunted by vengeful ghosts, one in particular, who refuses to let her have happiness. What is she to do then when her new boss starts pulling her back into the world of living, can she really risk being happy or will it spell the end to the relationship before it even begins?
I don’t know what it is about Korean paranormal stories that make me go running toward it instead of away. I’ve never been much for the whole ghost thing, but the way they are portrayed in movies like this and shows like Master’s Sun is just so intriguing. The characters in this are also really fun; they have such honest reactions to things. They just felt so genuine. The comedy is so great that I was just laughing uncontrollably. My face actually hurts. At the same time, I was always at the edge at my seat. The imagery of the movie was also beautiful; it’s pure art sometimes.
This film is another satirical/spoof comedy by Mel Brooks with one of my favorite actors: Cary Elwes (Princess Bride, Liar Liar). I’m usually not big on just comedy movies, but with Mel Brooks’ films it’s different. For one, I grew up with them. They are like old friends. But also there is the fact that they are downright awesome. I’m left breathless with laughter even while I enjoy a story that still has a lot of heart.
Robin: Men in Tights is the same story that we all know. Robin is captured and put in prison during the crusades; when he escapes he returns home to discover things are much changed. Prince John has usurped the throne and has been unfairly taxing the citizens. With the help of his servant, Blinkin, Little John, Will Scarlett and Atchoo (the son of a fellow prisoner he met) Robin Hood starts a war with Prince John and the Sheriff of Rottingham.
One of my favorite parts of this is the song that’s sung by Robin’s merry men, “We’re men in tights”. The musical quality to this movie only adds to the smart humor that subtly and not so subtly mocks adventure and romance dramas. It’s hard to describe the cinematic genius of Brooks, but there is just something about his films that make him stand out against the rest. Whether it’s the fourth wall breaks, the spot-on humor, the spit-fire dialogue or the exemplary story line, Brooks has a style that withstands the test of time and I can’t help but to love every film I’ve seen.
You can’t get much better than the satirical genius of Mel Brooks. Despite the obvious comedy and goofiness the film holds a level of cinema that’s seen only in a classic film. For those who aren’t familiar with Brooks he’s a forefront leader in comedic satires; the reason is that he doesn’t abandon the things that make film great just for the sake of a good joke. The actors, dialogue, story and film sets are of a high caliber that allows the audience to thoroughly enjoy his films.
Spaceballs is an obvious spoof of Star Wars and other popular space adventures of the 80s and before. In the film the enemy world of Spaceballs is running out of fresh air and so they plan to steal it from their neighboring planet of Vespa. Dark Helmet plans to steal their Princess to ransom her for the air. The King of Vespa desperate to get his daughter back asks Captain Lone Star for help.
Obviously the plot is quite silly, but it’s done with class. It’s a movie that’s still thoroughly enjoyable to watch without chronic eye-rolling. The actors are good enough that despite even some of the scenes that could level on ridiculous they bring it back strong with great acting. Those scenes go from ridiculous to some of the most repeatable dialogue scenes in geek conversations.